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4 edition of Female embodiment and subjectivity in the modernist novel found in the catalog.

Female embodiment and subjectivity in the modernist novel

RenГ©e Dickinson

Female embodiment and subjectivity in the modernist novel

the corporeum of Virginia Woolf and Olive Moore

by RenГ©e Dickinson

  • 177 Want to read
  • 33 Currently reading

Published by Routledge in New York .
Written in English

    Subjects:
  • Woolf, Virginia, -- 1882-1941 -- Criticism and interpretation,
  • Moore, Olive -- Criticism and interpretation,
  • Woolf, Virginia, -- 1882-1941,
  • Woolf, Virginia, -- 1882-1941,
  • Moore, Olive,
  • Moore, Olive,
  • Women in literature,
  • Body image in literature,
  • Subjectivity in literature,
  • Modernism (Literature) -- Great Britain

  • Edition Notes

    Includes bibliographical references and index.

    Statementby Renée Dickinson.
    SeriesLiterary criticism and cultural theory
    Classifications
    LC ClassificationsPR6045.O72 Z618 2009
    The Physical Object
    Paginationp. cm.
    ID Numbers
    Open LibraryOL22853302M
    ISBN 100415993830
    ISBN 109780415993838
    LC Control Number2008054735

      Joel Dinerstein is the author of The Origins of Cool in Postwar America (Chicago ), American Cool (Prestel ), Swinging the Machine (), and Coach: A Story of NY Cool (Rizzoli ).He is a cultural historian and Professor of English at Tulane University working on music, cool, jazz, race, and popular culture.


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Female embodiment and subjectivity in the modernist novel by RenГ©e Dickinson Download PDF EPUB FB2

This study considers the work of two experimental British women modernists writing in the tumultuous interwar period--Virginia Woolf and Olive Moore--by examining four crucial incarnations of female embodiment and subjectivity: female bodies, geographical imagery, national ideology and textual son proposes that the ways Mrs.

Dalloway, and The Waves by Virginia Woolf Cited by: 5. Book Description. This study considers the work of two experimental British women modernists writing in the tumultuous interwar period--Virginia Woolf and Olive Moore--by examining four crucial incarnations of female embodiment and subjectivity: female bodies, geographical imagery, national ideology and textual son proposes that the ways Mrs.

Dalloway, and The Waves by. This studyconsiders the work of two experimental British women modernists writing in the tumultuous interwar period--Virginia Woolf and Olive Moore--by examining four crucial incarnations of female embodiment and subjectivity: female bodies, geographical imagery, national Cited by: 5.

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This study considers the work of two experimental British women modernists writing in the tumultuous interwar period--Virginia Woolf and Olive Moore--by examining four crucial incarnations of female embodiment and subjectivity: female bodies, geographical imagery, national ideology and textual son proposes that the ways Mrs.

Dalloway, and The Waves by Virginia Woolf Author: Renée Dickinson. This study considers the work of two experimental British women modernists writing in the tumultuous interwar period--Virginia Woolf and Olive Moore--by examining four crucial incarnations of female embodiment and subjectivity: female bodies, geographical imagery, national ideology and textual experimentation.

Dickinson proposes that the ways Mrs. Dalloway, and The Waves by Virginia Woolf Author: Renee Dickinson. DOI link for Female Embodiment and Subjectivity in the Modernist Novel. Female Embodiment and Subjectivity in the Modernist Novel book. The Corporeum of Virginia Woolf and Olive Moore.

By Renée Dickinson. Female Embodiment and Textual Experimentation in Mrs. : Renée Dickinson. Read "Female Embodiment and Subjectivity in the Modernist Novel The Corporeum of Virginia Woolf and Olive Moore" by Renée Dickinson available from Rakuten Kobo.

This studyconsiders the work of two experimental British women modernists writing in the tumultuous interwar period--Vir Brand: Taylor And Francis. Renée Dickinson's Female Embodiment and Subjectivity in the Modernist Novel examines the ways in which two British women modernists—the oft-studied Virginia Woolf and the virtually unknown Olive Moore—used textual experimentation as a means of imagining alternate female subjectivities during the years between the First and Second World Wars.

Central to Dickinson's. Get this from a library. Female embodiment and subjectivity in the modernist novel: the corporeum of Virginia Woolf and Olive Moore. [Renée Dickinson]. Genre/Form: Electronic books Criticism, interpretation, etc: Additional Physical Format: Print version: Dickinson, Renée, Female embodiment and subjectivity in the modernist novel.

“Dancing with Freud: Female Sexuality, Modernist Female embodiment and subjectivity in the modernist novel book, and the Intoxication of Movement. Kimberly Engdahl Coates My new work is intent on viewing the world through what Donna Haraway refers to as a “feminist optics,” an optics which “produces not effects of distance, but effects of connection, of embodiment, and of responsibility for.

This study considers the work of two experimental British women modernists writing in the tumultuous interwar period--Virginia Woolf and Olive Moore--by examining four crucial incarnations of female embodiment and subjectivity: female bodies, geographical imagery, national ideology and textual.

Female Embodiment and Subjectivity in the Modernist Novel: This study considers the work of two experimental British women modernists writing in the tumultuous interwar period--Virginia Woolf and Olive Moore--by examining four crucial incarnations of female embodiment and subjectivity: female bodies, geographical imagery, national ideology and Pages: Constance Edith Vaughan (September – ca.

), better known by her pseudonym Olive Moore, was a modernist English writer best known for three well-esteemed novels: Celestial Seraglio (), Spleen (), and Fugue (), and for the acerbic essay collection The Apple Is Bitten Again ().

She also produced an essay on D.H. Lawrence, entitled Further Reflections on the Death of a Authority control: BNF: cb (data). Read "Political Gender Texts & Contexts" by available from Rakuten Kobo. In recent years, feminist scholars, through their insistence on the key role of gender in critical analysis, have brough Brand: Taylor And Francis.

View Renee Dickinson’s professional profile on LinkedIn. LinkedIn is the world's largest business network, helping professionals like Renee Dickinson discover inside connections to recommended Location: Seattle, Washington. " 51 Renée Dickinson, Female Embodiment and Subjectivity in the Modernist Novel: The Corporeum of Virginia Woolf and Olive Moore (New York: Routledge, ), " 52 Ibid., " 53 Jane Marcus, “Britannia Rules The Waves,” in Decolonizing Tradition: New Views of Twentieth-Century ‘British' Literary Canon, ed.

Karen R. Lawrence Author: Neal E. Buck. Renée Dickinson's Female Embodiment and Subjectivity in the Modernist Novel examines the ways in which two British women modernists—the oft-studied Virginia Woolf and the virtually unknown.

modernist genealogies, since she is a key figure in the transitional period of the inter-war years who illuminates the “blind spots” within modernist feminism’s symbolic and formal politics of disability. Dickinson’s book Female Embodiment and Subjectivity in the Modernist Novel is the only published criticism centering.

productive role in the psychological processes through which Brands Black female characters confront a history of oppression. I read the Sans Souci collection as a short-story cycle that is unified by a thematic focus on embodied experiences of time, racism and sexism, and Black female subjectivity.

Chapter three focuses on the second book ofAuthor: Katherine Mullins. Female embodiment and subjectivity in the modernist novel: the corporeum of Virginia Woolf and Olive Moore [] Dickinson, Renée, New York: Routledge, FEMALE EMBODIMENT AND SUBJECTIVITY IN THE MODERNIST NOVEL: THE CORPOREUM OF VIRGINIA WOOLF AND OLIVE MOORE, by Renée Dickinson.

New York: Routledge, pp. $ Renée Dickinson's Female Embodiment and Subjectivity in the Modernist Novel examines the ways in which two British women modernists - the. The Secret Ingredient A Novel, Jane Heller,Fiction, pages.

Realizing that her marriage has gone stale since her husband Roger has put on the pounds, lost interest in sex, and stopped talking to her, Elizabeth Baskin, a professionalJungle Book, Neil Morris, Dec 1, See Renée Dickinson, Female Embodiment and Subjectivity in the Modernist Novel: The Corporeum of Virginia Woolf and Olive Moore (New York: Routledge, ); Matt Franks, ‘Mental Inversion, Modernist Aesthetics, and Disability Exceptionalism in Olive Moore’s Spleen.’.

Female Embodiment and Subjectivity in the Modernist Novel: The Corporeum of Virginia Woolf and Olive Moore (Literary Criticism and Cultural Theory) £ Female embodiment and subjectivity in the modernist novel: the corporeum of Virginia Woolf and Olive Moore / Renée Dickinson. PR O72 Z Virginia Woolf's Renaissance:.

Tulsa Studies in Women's Literature is a vital forum for the most current theoretical and literary debates in feminist studies. The journal publishes path-breaking literary, historicist, and theoretical work by both established and emerging scholars, including articles, notes, archival research, and reviews.

Postmodernism and Feminism By Nasrullah Mambrol on Ma and to seek to occupy it. In this way, as Tania Modleski puts it, ‘male power works to efface female subjectivity by occupying the site of femininity’ (Feminism Without Women), and the material struggles of embodied women are erased.

A Book Bech at Bay: A Quasi-Novel. Judith Pamela Butler (born Febru ) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics, and the fields of third-wave feminist, queer, and literary theory.

Inshe began teaching at the University of California, Berkeley, where she has served, beginning inas the Maxine Elliot Professor in the Department of Comparative Alma mater: Yale University, Heidelberg University.

The novel does embrace plurality and contradiction, but it does not do so through what Caughie calls an utopian “refusal to choose” between male and female, masculine and feminine (44).

Rather, the novel uses the fantastic to foreground the slow pacing of Orlando’s shifts in gender presentation and comportment. Renée Dickinson’s Female Embodiment and Subjectivity in the Modernist Novel: The Corporeum of Virginia Woolf and Olive Moore gives a chapter each to Mrs Dalloway and The Waves within a comparative study of the ways in which Woolf and Moore ‘examine four crucial incarnations of female embodiment and subjectivity’, or physical, national Author: Julian Cowley, Colin Graham, Lynne Hapgood, Chris Hopkins, Daniel Lea, Paul Poplawski, John Nash, Jo.

She represents the painful distortion of female subjectivity in a culture in which men fear and revile women who desire the creative, intellectual, and sexual agency afforded to men.

She represents the deformation of women in a culture that denies them male power, privilege, and status--that prohibits women from wearing "armor" like a "knight" (4). A Girl is a Half-formed Thing () is Irish author Eimear’s McBride debut novel, winner of several literary awards and praised by most critics, who agree in its literary quality and e wrote her novel about ten years before its publication, that is, during the Celtic Tiger years, a period in which there was a “predominance of narratives about siblings with women’s.

Female embodiment and subjectivity in the modernist novel () The affective life of law () La double vie de Virginia Woolf (). Women and Men seems to be the most ambitious novel ever written, anyway, it is the most ambitious one Ive ever read. Each of us when separated, having one side only, like a flat fish, is but the indenture of a man, and he is always looking for his other half/5(45).

The Novel Map: Space and Subjectivity in Nineteenth-Century French Fiction by Patrick M. Bray. Evanston, IL: Northwestern University Press, Focusing on Stendhal, Gérard de Nerval, George Sand, Émile Zola, and Marcel Proust, Bray's book explores the ways that these writers represent and negotiate the relationship between the self and the Author: Michael Kicey.

I came to Maren Tova Linett's Bodies of Modernism: Physical Disability in Transatlantic Modernist Literature because of my deep interest in how people tell stories about disability, and in the ways that disabled people figure as protagonists in stories.

I was well-rewarded for the time I spent with this book, finding myself entranced and enriched by Linett's careful, detailed unpacking of. Female Embodiment and Subjectivity in the Modernist Novel: The Corporeum of Virginia Woolf and Olive Moore.

New York: Routledge, Dunn-Lardeau, Brenda. Le voyage imaginaire dans le temps: Du récit médiéval au roman postmoderne. Grenoble, France: ELLUG, Engelhardt, Molly.

The subject of The Last Novel is death and art The story is focused on the virtual immortality that art provides to its creators. There is an almost perfect description of the book given by the author himself: A novel of intellectual reference and allusion, so to speak minus much of the novel/5.

Olkowski, Dorothea, and Gail Weiss, eds. Feminist Interpretations of Maurice Merleau-Ponty. University Park, Pa: Pennsylvania State UP, This is a collection of 12 essays (plus an introduction) by contemporary feminist-MP-scholars who “re-read” MP, which is the goal of this book series (to “re-read” “canonical” texts).“book of repetition” that is Arlington Park, Cusk, I argue, runs the “risk of the feminine,” not least by insistently foregrounding her novel as “this little drama of male force and female sensibility” (13) in ways that seem to rehearse the paradigm of sexual difference both raised and challenged by Beauvoir.Her research investigates the parameters of the Modernist novel, asking how traditional and subversive genre structures reflect and recognize specific subjectivities.

She is primarily interested in the analysis of 20 th century Anglophone literatures as seen through trauma studies and issues of embodiment.